smoove_turrell_live

Smoove & Turrell – Live in London

2011 was a breakthrough year for the UK’s Smoove & Turrell. With Eccentric Audio, the North-East duo delivered one of 2011′s finest soul albums that was enthusiastically received by fans, critics and radio alike. The album generated three singles (Slow Down, Hard Work and Gabriel) that made waves on the iTunes soul chart with playlist action across National radio stations in Europe, BBC Radio 2, BBC Scotland and JazzFM. It’s heartening to note that even the broadsheets and established music publications loved it too, proving that you can sometimes stay true to your roots and achieve success beyond just the loyal faithful.

We loved it so much that we had to include one of the stand-outs (the deeply moving Wasted Man) on our Best of 2011 show for soulandjazz.com. Hit the player below to take a listen to the show that also takes in Betty Wright, Reel People, Electric Empire, Cleveland Jones, Ahmed Sirour, Diggs Duke and a few other beauties. The show’s also available to download via soulandjazz.com.

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The tail-end of 2011 saw the boys take in European dates through the Netherlands, Spain, Germany, Greece and Croatia. 2012 sees Smoove & Turrell continuing their mission to spread the gospel of home-grown soul and funk via a few dates in the UK. They have upcoming dates in Leamington Spa, Gateshead and London. SoulCuts will be bouncing on down to catch the chaps in London at Floridita on the 9th February for what promises to be a stonking night. For the London types, Floridita (formerly Mezzo) in Soho has recently changed its music policy to encompass Jazz, Funk and Soul. Amen to that! And with upcoming gigs from other SoulCuts faves such as Los Charley’s Orchestra and Drizabone Soul Family, the venue certainly shows promise. Click here to book tickets for the upcoming Smoove & Turrell show.

And, of course, Smoove & Turrell‘s album, Eccentric Audio is still out and about for your purchasing pleasure. It may have been one of our fave 2011 albums, but it still sounds wonderful, and yes, funky, in 2012!

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  44. 11:47 As David West breaks out to the right corner of the free throw line thanks to a Roy Hibbert pick on Kevin Garnett that would make the Colts O Line proud, I already can help but think to myself how weird it seems watching Garnett/Pierce these Nets uniforms. However, as a Lakers fan myself, am I happy to see two former Celtics end their careers in such fashion? Absolutely! ANNNNYYYYTTTHHHHIIIINNNGGGG IIIISSSSS POSSSSSIIIIBBBBBLLLLLLLEEEEEE!!!! West hits the jumper to tie the game 46 46, because David West is just flat out a bad man.

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  47. 3:12 Brooklyn starts to come back, and with the Nets down 90 87, George Hill dribbles the ball from 20 seconds on the clock down to 13 and follows this up with a running floater through the lane. If it goes in, Hill looks like a genius, but since he missed, I should point out that Brooklyn is fighting their way back into this game and Paul George hasn shot the ball since the 7:26 mark in the quarter.

  48. (Has anyone ever said it weird seeing Deron Williams in a Nets jersey? Anyone?)

  49. 5:06 Nets center Andre Blatche hits a jumper to make the score 62 57, and Pacers announcer Chris Denari mentions that like in Boston, Kevin Garnett has to come out early in the first and third quarters. This reminded me of the Pacers pregame show I was listening too on 1070 The Fan when Austin Croshere mentioned that he doesn fully buy in to this Brooklyn squad to be a top seeded team. Basically Croshere believes that with the years of basketball mileage on their body, Garnett and Pierce could perhaps reach their full potential if they played once every three games. Throw in the fact that Pierce, Garnett, and Jason Terry combined for 8 23 from the field, 21 points, and nine turnovers, I now wonder how Sports Illustrated picked this squad to be the number three seed over the course of an 82 game season.

  50. 6:00 I just going to call the Roy Hibbert stat I referenced above as Hibbert just forced one on Brook Lopez, who tried to take Hibbert base line and swing the ball up from under the hoop with his dribbling hand, but Hibbert forced Lopez to throw up a bad shot that went over the rim. I all in on the stat, Pacers lead 60 53.

  51. 11:15 I told myself I was going to pace myself to only write something every three minutes But Luis Scola just got Garnett with his patented defender goes by, dribble a once or twice and then shoot play that I absolutely fallen in love with. Frank Vogel said it best after the victory against the Bulls, when he mentioned have one of the best international players ever coming off of our bench I think Pacers fans finally 100% realized what they now have in Scola when they booed Tyler Hansbrough during his first appearance with the Toronto Raptors on Friday night.

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  53. Smoove & Turrell – Live in London | SoulCuts 7.4

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  63. しかし、ライブドアがなかなか具体的戦略を明示しない中で、ひとつ、堀江氏がファッション流通に関連した案を提示したことがあります。それは、テレビでタレントが着用したファッションをオンデマンドで、通販で買えるしくみを作りたい、と言っていたことです人気の有名人が着用した服を欲しがるという顧客心理に訴える販売促進は、最も高い成功実績のあるファッション業界のしかけです。以前はアムロ、息の長いキムタク、アユを筆頭に、ここんとこ、セレブのヒルトン姉妹であったり、彼ら彼女らが着用したブランド、商品は、すぐに品切れを起し、その後、二次マーケット(その商品のトレンド要素をもった廉価な商品開発)に波及するものです今のところ、タレントのスタイリストとファッションアパレルメーカーが個々につながることによって、テレビや雑誌で行われているしかけです。アメリカでは、スタイリストたちが組織的にサイトで通販を行っている事例を知っています。しかし、これがフジテレビなどというマスメディアぐるみで行われると、ものすごいビジネスチャンスが産まれそうですね。ラグジュアリーの「ルーテシア ゴルディーニ R

  64. Gaultier’s design can be read as an attempt at subverting the objectification of women through fashion. By taking on a traditional signifier of women’s restriction, that is, the corset, and placing large cone shaped breasts on it, it can be said that Gaultier has created an image of female empowerment (French, 2004). By making the corset visible he highlights the way in which women have been forced to conform to accepted standards of beauty, and the way in which these standards are constructed. The cones add to this reading by removing the maternal aspects of the breast and indicating the way in which they have been objectified and the unnatural form that has become the beauty standard in western culture (French, 2004). However this design could also be seen not as a parody and symbol of empowerment, but as a reinforcement of patriarchal ideals.

  65. Fashion perpetuates the image of the slender woman being the ideal feminine and can sometimes have significantly detrimental effects. Due to the mass production of clothing, it has become easier for the fashion industry to encourage women to be slender (Macdonald, 1995, p208). Many of the most fashionable garments are not made larger than a woman’s Australian size fourteen. This encourages women to diet and exercise in order to lose weight, a trend also encouraged by the many advertisements involving slender women. One disturbing result of society’s fascination with being thin has been the rise in eating disorders, including anorexia (Macdonald, 1995, p208). In Australia’s November 2004 issue of Cosmopolitan an article was run entitled ‘Anorexia for Sale’. This article discussed Mary Kate Olson, a well known actress, and her public struggle with Anorexia Nervosa. Images of Olsen and other famous women who appear to be unhealthily thin, such a Kate Moss, have been used on websites known as ‘pro ana’ sites, that is, websites supporting anorexia as a ‘lifestyle choice’ as opposed to an illness (Percival, 2004, p62). Many of these sites have begun to sell ‘ana bracelets’ and ‘ana necklaces’ which are a means of identifying other anorexics and which serve as a reminder not to eat. This jewellery has proven quite popular within the anorexic community (Percival, 2004, p62). This is an extreme example of fashion (or in this case accessories) being used to specifically propagate the idea of being thin. On the other hand clothing can also be used to raise awareness of eating disorders and encourage women not to go so far. T shirts with the slogan ‘Save Mary Kate’ and a drawing of her emaciated figure were released with just this intention (Percival, 2004, p62). Released when Mary Kate began her rehabilitation, the emaciated drawing on the t shirts is far from attractive and draws attention to her bones and the unnaturalness of being so thin. The words ‘Save Mary Kate’ could be read in one of two ways however, they could refer to the fact that she is need of help, thus constructing her as a victim, or they could be referring to the desirability of her image and a wish that she remain so thin, thus the implication could be ‘Save Mary Kate from the rehabilitation clinic’. This second reading is supported by the image itself, in which she is smiling and returning the gaze of the viewer. This subverts the intended message that she is a victim.

  66. Fashion can certainly be used to parody, subvert and deconstruct gender identities (particularly the feminine), however, in the mainstream, it can only ever reflect the social conscious behind it. If society is not ready for men to wear skirts, then skirts will not be bought by the majority of men. Whilst designers like Jean Paul Gaultier can attempt to deconstruct gender stereotypes through fashion, many of these subversions can still be read as supporting the distinction between gender identities. Fashion and dress is influenced by both the body itself and the range of signs that it refers to, making it difficult to determine where fashion ends and social consciousness begins.

  67. ・「シンプルで、食感がサクサクしているから」(23歳男性/団体・公益法人・官公庁/その他)

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  79. 栗田:「しっかりとこだわったコンセプトのもと服作りをしている先輩たちが昔から周りにたくさんいたので、それなりにディテールを作り込んだ服作りは身についています。ただ、それ意外のところでの変化というか、自分としてはもっとライフスタイルに寄せた洋服を作っていきたいなと。今のブランドを始める直前まで4年ほどアメリカに住んでたんですが、そこで見えてきたことも多くて。朝海に行って、そこから仕事に行って、家に帰ってくるまでが同じスタイルで完結できるっていうのはすごくカッコイイことだなと。肩ひじ張らずに着られるカジュアルウエアでありつつ、部屋で過ごすときのTシャツであっても納得のできるものを着たい、そんな感覚でしょうか」

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  82. 新型ラパンの開発にあたって、スズキ社内のデザイン部門以外の女性社員らによるワーキンググループが新たに編成され、主に初めて車を買う女性の目線から、見た目や使い勝手の検討も行ったと言う。また、ラパンのユーザーには初心者が多いとのことから、「“かわいいけれど乗ってみたら意外と運転がしやすいね”と、だんだん好きになってくれればいいと思います」と、女性目線で運転のしやすさや取り扱いのよさを検討し、改良を加えたことをアピールしていたラパンマークとあわせて新型ラパンの特徴であるマルチインフォメーションディスプレイのアニメ表示やフォトフレーム、ラパングッズの展開も、女性社員のワーキンググループからのアイデアがきっかけで採用されたと言う。マルチインフォメーションディスプレイは、元来メーターパネルの表示マークの意味や車の操作方法がよく分からないといった意見から、ガイド表示をさせる目的で設置を決定した。しかし、「ガイドだけでは堅いので、ラパンの楽しい部分を付加したいと思ってアニメを追加しました」とのこと。このほか、フォトフレームは「装備であるけど、機能的でなくて楽しいもの」として、ラパングッズは「ファッションとリンクして、車のある生活を楽しくするもの」として採用したとのことで、「洋服や家具を買うような感覚の延長線上にラパンがあるようにして、楽しめる車にしたい」といったコンセプトに基づいた採用であることを語ったマルチインフォメーションディスプレイのアニメ表示。時刻や季節、記念日など19種類用意されている。当初は、元旦やこどもの日といった国民の祝日のほか、「8月27日は“男はつらいよの日”」のような記念日までもを毎日表示することも検討したが、365日分のデータを保存するメモリーを確保できなかったため断念したという

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  122. ファッションセンスがない男性は、自分でも「ファッションには興味がない。どんな洋服が自分に似合うか分からない」と自覚している人が多いですですので、心の中では「センスのいい彼女に選んでもらえたらいいな」と思っているのです彼だって「素敵な服着てるね!とっても似合ってるよ!」とみんなから言われたら嬉しいに決まっていますですので、あなたが全身コーディネイトした服をプレゼントしてみてはどうでしょう?あなたの理想のファッションをそのまま彼に着せてしまうのですこれは一番手っ取り早いです。しかも、それを着た彼が他人からファッションを褒められれば、「そうか。こういう服を着ればいいんだな」とファッションに興味をもってくれるでしょう一緒に買い物にいってアドバイスしてあげる

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  145. マダム向けファッションイベント「The Madam Show (マダム・ショー)」が14日、都内にて行われた今回で、2回目の開催。40代50代のミドルエイジの女性をターゲットにしたファッションショーが華々しく実施された。同イベントは、タレントのテリー伊藤がプロデュース。「昨年のイベントは評判を頂いた。お陰で、パワーアップさせて開催することが出来た」と感謝を伝えるメッセージ。参加したブランド数が、昨年から5つ増えて19ブランドが並んだショーの特徴としては、モデルが着用したコレクションは全て既製服ということ。ステージを見て気に入った洋服は、会場の隣で購入できるシステムを採用。そのため、ショーが終わると、販売ブースは活気ある状況に変化するショーの注目度を見届けた、テリー。「日本には“可愛い”という言葉は定着している。それに加え、素敵なファッションというものもあっていいと思う」と訴え、「大人の人が、エレガントやセクシーという着こなしを自然体で見せていけたら」と考えを表した。「今のままだとファッションが止まってしまって、若い人だけの文化になってしまう」とまだまだ活動を活発化させると、意欲を示した「女はいつだって旬。私たちが一番輝く日にしましょう」とイベントに臨んでいたのは、アンバサダーを務めた女優の萬田久子。「若い女の子たちの憧れとなるようなマダムになりたい」とテリーに向かって語りあった。「そういうことだね。40代、50代、60代の女性たちが素敵だと、若い女の子たちも憧れて、年を重ねても輝けるイメージが持てる」と意見を一致。「こういうイベントは、有意義だと思う」とアピールした。「片付けられない女」がどんどん溜め込むファッショングッズ

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